Admiral Kirk and his bridge crew risk their careers stealing the decommissioned Enterprise to return to the restricted Genesis planet to recover Spock's body. Admiral Kirk's defeat of Khan Noonien Singh and the creation of the Genesis Planet are empty victories. Mr. Spock is dead and Dr. McCoy is, seemingly inexplicably, being driven insane. Then an unexpected visit from Spock's father provides a startling revelation: McCoy is harboring Spock's living essence. With one friend alive and one not, but both in pain, Kirk attempts to help his friends by stealing the Enterprise and defying Starfleet's Genesis quarantine. However, the Klingons have also learned of the Genesis Device and race to meet Kirk in a deadly rendezvous. After seeing "Star Trek II: The Wrath of Khan" not too terribly long ago, I couldn't wait to see "Star Trek III: The Search for Spock". I was a little scared of how they were going to pull this off though, cause I afraid the story was going to be super cheesy, but I thought they did an excellent job.<br/><br/>This film picks up literally right where "Star Trek II: The Wrath of Khan" left off. The story is actually very ingenious and actually makes a lot of sense, I mean to say that it is a very well told story and really does a great job of keeping you interested. There were a number of little things about the film that I really liked, but I won't get into them because if I did, it would give away some of the best parts of the film.<br/><br/>I thought the cast did an excellent job! The cast is all pretty much the same as the preceding Star Trek films, with exception of Robin Curtis, who replaced Kirstie Alley, as Lt. Saavik. I was so happy to see Christopher Lloyd in this film, it was really odd to see him as a Klingon, but I thought he did a fantastic job. Everyone else in the film was great too.<br/><br/>An interesting note about this film is that it is directed by none other than Leonard Nimoy himself, a.k.a. Spock. Pretty cool, yeah?<br/><br/>Compared to the preceding Star Trek films, I thought this film was just as good as "Star Trek: The Motion Picture" and "Star Trek II: The Wrath of Khan". It seems that most people like Part 2 more than Part 1 and 3, but I liked them all pretty much the same. Also, I think it's kind of hard to not like "The Search for Spock" because "The Wrath of Khan" and "The Search for Spock" flow together so nicely that they're almost one movie. Anyhow, I'm trying to say that I really liked "The Search for Spock" and I hope you will too. But, you really should see "The Wrath of Khan" first to understand what leads into this film. Thank you for reading,<br/><br/>-Chris This film is interesting, but suffers from that famous disease known as Sequilitis, the symptoms being reused ideas, reused jokes and a substantially less amount of originality. Where Wrath of Khan had all the original ideas, this film fills in where new idea's could have been with incredibly long winded fight scenes or large patches of dialogue. Don't get me wrong, it's by no means a bad film, but it is rather tedious to watch, although it does continue to contain many of the aspects that Wrath of Khan had including good special effects and enjoyable acting, although the Soundtrack and Storyline have suffered.<br/><br/>The Story begins following the events of Star Trek II, Spock died to save his friends and was blasted onto the Genisis planet, the Enterprise returns home for repairs and Kirk takes a well deserved break, but this is interrupted by his father, who is angered by the fact that Kirk fired Spock's body onto Genisis when his father would have wanted Spock returned home in order to carry out a ritual to bring him back to life. Meanwhile, Dr McCoy has been acting strangely, and believes himself to be Spock after Spock transferred his mind into McCoy just before sacrificing himself in the reactor. Dr McCoy now wants to return to Genisis in order to return Spock's mind to his body, but he is not allowed to as Genisis has been cordoned off by the Starfleet until it has been fully examined by, Lt. Saavik, Dr Marcus and her son. As the pair go down to examine the planet, their ship is destroyed by a renegade Clingon Commander, played by Christopher Lloyd. Now stranded on Genisis, their party decides to look around where they find a young Vulcan child, who is in fact Spock, who has been reborn by the growing life of Genisis. Meanwhile, Kirk and crew break Dr McCoy out of the Brig (he was arrested for trying to get to Genisis illegally) and they hijack the Enterprise. After a pretty slow chase scene, the Enterprise blasts off into Warp Speed whilst pursuing ships break down rather pathetically after Scotty had a bit of One-to-One time with their internal working parts. Meanwhile on Genisis, Spock (who is now grown to the age of a teenager) and Saavik, attempt to carry out a Vulcan Bondage ritual as part of Spock's growth from child to man. However, the Clingons find the group and take them prisoner. In space, the Enterprise arrives only to be confronted by the Klingon vessel. After a short fight, the two ships are left disabled and without shields. Back on the planet, Kirk's son attempts to break free from his Clingon Captors but is brutally stabbed to death. With Clingon's now preparing to board their ship, Kirk and the crew beam down onto the planet's surface and a Self-Destruct sequence blows the Enterprise to pieces, killing the Clingons aboard and sending the burning hull crashing down to the planet. Not long after though, the planet begins to become unstable and starts to fall apart. With this now happening, Kirk makes a desperate plea to the Clingon Commander for him to beam down and face Kirk in single combat whilst the other's are beamed aboard his ship. The Commander agrees and the pair do battle above large flowing streams of molten lava. Kirk eventually gets the upper hand and sends the Commander into the burning hell below before being beamed back aboard the Clingon ship. After escaping the destruction of Genisis, the pair return to the Vulcan Homeworld where Spock's father attempts to carry out the ritual which will reunite Spock's body with his mind which is still inside McCoy. The ritual works and Spock is returned to his normal self, ready to rejoin his crew-members…<br/><br/>Like I said, it's an OK film in terms of special effects, an understandable story and OK acting, but apart from that it's nothing special compared to the previous film. Christopher Lloyd plays a rather wooden bad guy whereas Richardo Montalban played the often flamboyant and psychotically menacing Khan. Like the film though, Lloyd's character is rarely remembered amongst most avid Star Trek fans. I'd recommend watching this film just so you can get a better understanding, but it's not one you'd want to see that often, only when you really start to forget the story. Leonard Nimoy, who directed this third installment, hasn't matched the playfulness and energy of ''Star Trek II,'' but he's way ahead of the first film, making up in earnestness what he lacks in style. That kind of conviction, while sometimes verging on undue self-importance, goes a long way toward making the material touching. Admiral James T Kirk (<a href="/name/nm0000638/">William Shatner</a>) commandeers the newly repaired USS Enterprise in order to return to the Genesis and retrieve Spock's body after Spock's father Sarek (<a href="/name/nm0501697/">Mark Lenard</a>) informs him that the body must be returned to Vulcan so that it can be re-united with Spock's katra (eternal soul), which Spock has conveniently stored in the body of Dr Leonard McCoy (<a href="/name/nm0001420/">DeForest Kelley</a>). Meanwhile, on Genesis, Saavik (<a href="/name/nm0193495/">Robin Curtis</a>) and David (<a href="/name/nm0125190/">Merritt Butrick</a>) have located a youthful Spock, but the three of them are marooned on the planet's unstable surface when a Klingon warbird in search of the Genesis device destroys their ship, the USS Grissom, before they can be beamed aboard. The Enterprise must contend with ruthless Klingon commander Kruge (<a href="/name/nm0000502/">Christopher Lloyd</a>) while attempting to rescue the survivors before the Genesis planet collapses. The crew is all here. Kirk, McCoy, Spock (<a href="/name/nm0000559/">Leonard Nimoy</a>), chief engineer Montgomery "Scotty" Scott (<a href="/name/nm0001150/">James Doohan</a>), communications officer Lt Uhura (<a href="/name/nm0629667/">Nichelle Nichols</a>), first officer Pavel Chekov (<a href="/name/nm0000479/">Walter Koenig</a>), helmsman Hikaru Sulu (<a href="/name/nm0001786/">George Takei</a>), Lt Saavik and Kirk's son David. In the year 2285 A.D., about three months after the events of the previous film The Wrath of Khan. In fact, the movie opens with the final scenes from The Wrath of Khan. Possibly, but there was no guarantee that they would have gotten all the Klingons before at least one of their own number was lost, since the Klingons outnumbered them and were likely have better firearms training. In the novelization, Kirk actually does consider the possibility of trying to shoot the Klingons as they beam in, but quickly dismisses it on the grounds that they'd likely damage the transporter in the process, which would have stranded him and his crew on the Enterprise since Starfleet had already removed all the shuttlecraft (escape pods had not been conceived of at this point in the franchise's history, first being mentioned in the first season of Star Trek: The Next Generation). The real problem was that the Enterprise's control system had burned out during the battle with the Klingons, meaning that after killing the landing party, Kirk and his crew would have had no other way of defending themselves. After realizing that his landing party was dead, Kruge may well have beamed Kirk and his crew into his brig or dumped them on the Genesis planet, after which he would have been free to steal the valuable Federation data in the Enterprise's computer banks (which is what the self-destruct was really intended to prevent). The decision was likely also affected by the knowledge that this allowed the Enterprise a "noble death" rather than the decommissioning she faced when returned to Earth. The Star Trek series didn't really get its timeline sorted out until the late 1980s and early '90s (and even then TOS era dates are still a bit muddled); the 20 years figure is a rough guess based on the fact that the Trek series had been going for just under 20 years when the movie was made. The closest on-screen explanation we have is that either Morrow is simply wrong about the figure, or he means that 20 years have passed since the Enterprise was refitted in Star Trek: The Motion Picture. There are other issues. In the first pilot (which was non-canonical before any "regular" series episodes had been created), Spock was shown as first officer under Christopher Pike, 5 to 10 years earlier. Clearly, the Enterprise is more than 20 years old. The Federation would not build expensive "wessels" with such a short service life. ["The Menagerie"/"The Cage" were non-canonical from the get-go, as they describe interstellar travel using conventional propulsion systems, a gross improbability. If such a ship could reach 0.9c, and Talos IV were 200 light-years away, the trip would have had to begun in the early 21st century, at the latest. Enterprise (the series) rendered the implicit non-canonicity explicit. There was no room in the Enterprise universe for Christopher Pike and his ship.] It was slightly redressed to serve as the bridge of the Grissom, with the seat covers and a few of the screen details being changed. The lighting of the set might also have been adjusted to give it a different color than we'd seen before. The Excelsior got a new, albeit very rudimentary, bridge set that was scrapped after this movie. The next time we see it in Star Trek VI, it has a redressed version of the Enterprise-A bridge. The novelization answers this (though it's technically non-canon and certain parts of the novelization don't match up perfectly with the film). Uhura stayed behind to scramble Federation communications and make it impossible for anyone to catch up with the Enterprise until it was too late to stop them from completing their mission. At the last moment, with authorities banging on the door of the transporter room, Uhura beamed herself to the gate of the Vulcan embassy to attempt to gain an audience with Ambassador Sarek. Just as a Federation security team was almost upon her, she finally negotiated her way past the gate and ran through the grounds to the front door of the embassy. Knocking, she received no answer, and the security team's leader began leading her back outside the embassy grounds before Sarek appeared and demanded to know why the Federation was invading Vulcan sovereign territory. The security team leader, realizing she'd overstepped her grounds, stated that Starfleet believed the Enterprise crew to be sick and were trying to get them to treatment, but Sarek denied her permission to leave the embassy grounds with Uhura, stating that the commander had asked for, and been granted, sanctuary. Declining the security officer's offer of 10 minutes alone with Sarek followed by incarceration, Uhura accepted his offer of sanctuary. The security officer said that the Federation would be asking for extradition. "That is up to your government," Sarek replies. "Good day."<br/><br/>However, for the sake of the story & it's pacing, it can likely be assumed that Uhura has plenty of connections and resources that would allow for her to find some sort of transport to Vulcan. If you watch the way she handles her fellow officer ("Mr Adventure") just as Kirk & his team enter the transporter room, it's reasonable to assume she can handle the problem of getting to Vulcan without the script saying so. As Genesis explodes, Kirk and his skeleton crew fly the Klingon warbird to Vulcan, where the Vulcan high priestess T'Lar (<a href="/name/nm0000752/">Judith Anderson</a>) performs the dangerous ritual, fal tor pan, that reunites Spock's katra with his body. The procedure is successful, but Spock's memory is slow to return, and Sarek isn't sure when or if it will come back. "Only time will tell," he tells Kirk. As Spock, clad in a white robe, T'Lar, and a number of attending Vulcans leave the ceremonial platform, Spock walks past Kirk, not recognizing his presence at first. Suddenly, Spock turns to Kirk and asks if the ship is out of danger, to which Kirk replies that he (Spock) saved them all. In the final scene, Spock says, 'Jim. Your name is Jim, while the crew of the Enterprise gather around him, pleased that his memory is beginning to return. Yes. Star Trek III: The Search for Spock, a novelization of the movie by American science fiction writer Vonda N. McIntyre, was released in 1984. So far, there are 13. Star Trek: The Search for Spock was preceded by <a href="/title/tt0079945/">Star Trek: The Motion Picture (1979)</a> (1979) and <a href="/title/tt0084726/">Star Trek: The Wrath of Khan (1982)</a> (1982). It was followed by <a href="/title/tt0092007/">Star Trek IV: The Voyage Home (1986)</a> (1986), <a href="/title/tt0098382/">Star Trek V: The Final Frontier (1989)</a> (1989), and <a href="/title/tt0102975/">Star Trek VI: The Undiscovered Country (1991)</a> (1991), all of which featured the Enterprise captained by James T Kirk. <a href="/title/tt0111280/">Star Trek: Generations (1994)</a> (1994) united Kirk's crew with the crew of the Enterprise captained by Jean-Luc Picard. The Star Trek movies featuring Picard as captain include: <a href="/title/tt0117731/">Star Trek: First Contact (1996)</a> (1996), <a href="/title/tt0120844/">Star Trek: Insurrection (1998)</a> (1998), and <a href="/title/tt0253754/">Star Trek: Nemesis (2002)</a> (2002). <a href="/title/tt0796366/">Star Trek (2009)</a> (2009), <a href="/title/tt1408101/">Star Trek: Into Darkness (2013)</a> (2013), and <a href="/title/tt2660888/">Star Trek: Beyond (2016)</a> (2016) harken to an alternate reality in which Kirk was just beginning his career with Starfleet Academy. While we never actually see it the answer seems almost certainly yes. Spock is experiencing the "Pon-Farr", the Vulcan mating drive which it is established in the original series will kill him if he does not have sex with a Vulcan female. We then see Saavik touch their hands together in the first phase of the mating ritual. In the script for Star Trek IV: The Voyage Home, the matter is verified by revealing that Saavik's reason for staying on Vulcan is that she is pregnant with Spock's child but the line was cut from the final film. It was an experimental warp drive that was to be tested on the Excelsior, the first Federation ship outfitted with it. Simply put, it was a warp drive that was faster than any warp drive in use up to that point. The Star Trek lore says that the experiment was a failure, not because of Scotty's sabotage but because Federation scientists couldn't make it work. David Marcus admits to Saavik that he'd used a substance called protomatter in his engineering of the Genesis device. Saavik tells him that he knew himself that protomatter was a highly unstable substance. Like he says, it "helped solve certain fundamental problems" but it also doomed the Genesis experiment to fail—since it caused the rapid development and aging of Genesis itself and the planet destroyed itself. Furthermore, the device was not used as originally intended. It was supposed to have been used on an existing lifeless planet but in this case it created a planet out of the light elements present in the Mutara Nebula, which would not have have the necessary heavy elements needed for planet formation. a5c7b9f00b Download Han Solo: A Smuggler's Trade full movie in hindi dubbed in Mp4free download AVP: Alien vs. PredatorDownload And Justice for All full movie in hindi dubbed in Mp4Ghosts of Mars full movie online freeAtomic Shark sub downloadDownload the The Millionaires' Unit full movie tamil dubbed in torrentKung Pow: Enter the Fist full movie in hindi free download hd 1080pFantastic Four full movie in hindi free download hd 1080pReclamation full movie download 1080p hdthe Kiwi! full movie in hindi free download
Kammgree replied
354 weeks ago